Education
Exhibitions
Explore Art
Research and Conservation
Bookstore
Games
About the J. Paul Getty Museum
Public Programs



Museum Home Museum Research and Conservation
Museum Research and Conservation
Provenance 1933–1945

Find out about the ownership histories of works of art in the Museum's collection, 1933–1945. For general guidance on using research tools, access the Provenance Research information of the Getty Research Institute.

Research on Museum Collection Provenance 1933–1945


Museum Symposia

Symposia bring scholars and other specialists to the Getty Center and the Getty Villa to explore topics related to the Getty Museum's collection.

Artists and Actors: Iconography and Performance in Ancient Greece

Altera Roma: Art and Empire from the Aztecs to New Spain

Drawings by Rembrandt and his Pupils: Telling the Difference

Myth, Allegory, Emblem: The Many Lives of the Chimaera of Arezzo

Greek Art / Roman Eyes: The Reception of Greek Art in the Private Sphere in Ancient Italy

CAA Sessions at the Getty Center and Getty Villa

Seville's Artistic Golden Age and Economic Dark Age: 1652–1706

Los Angeles: A Cultural Desert is Blooming

Anglo-American Exchange in Postwar Sculpture, 1945–1975

Workshop on the Cult Statue of a Goddess

Looking at the Landscapes: Courbet and Modernism

Contemporary Performance of Ancient Greek and Roman Drama


Museum Conservation

Learn about the Museum's conservation work, conservation partnerships with other institutions, and collaborative projects to conserve works of art.

Museum Conservation

Conservation Partnerships

Cranach Magnified: A Comparative Image Tool


Museum Publications

Books on antiquities, decorative arts, drawings, manuscripts, paintings, photographs, sculpture, and works of art in the Museum's collection.

Museum Publications


Metrics and Evaluations

Evaluations of the Museum's initiatives, resources, and tools.

Metrics and Evaluations


See Also

Conducting Research

Getty Conservation Institute


Interactive Feature
2 Approaches to Vase Painting Restoration

interactive Interactive feature: Two approaches to vase-painting restoration


Back to Top